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第2部分(第3页)

different dear Mr。 Huttons hand was from its dull; insensate image! To

me the cast lacks the very form of the hand。 Of the many casts in Mr。

Huttons collection I did not recognize any; not even my own。 But a

loving hand I never forget。 I remember in my fingers the large hands of

Bishop Brooks; brimful of tenderness and a strong mans joy。 If you were

deaf and blind; and could have held Mr。 Jeffersons hand; you would have

seen in it a face and heard a kind voice unlike any other you have

known。 Mark Twains hand is full of whimsies and the drollest humours;

and while you hold it the drollery changes to sympathy and championship。

'Illustration: Copyright; 1907; by the Whitman Studio

The Medallion

The bas…relief on the wall is a portrait of the Queen Dowager of Spain;

which Her Majesty had made for Miss Keller

To face page 22'

I am told that the words I have just written do not 〃describe〃 the hands

of my friends; but merely endow them with the kindly human qualities

which I know they possess; and which language conveys in abstract words。

The criticism implies that I am not giving the primary truth of what I

feel; but how otherwise do descriptions in books I read; written by men

who can see; render the visible look of a face? I read that a face is

strong; gentle; that it is full of patience; of intellect; that it is

fine; sweet; noble; beautiful。 Have I not the same right to use these

words in describing what I feel as you have in describing what you see?

They express truly what I feel in the hand。 I am seldom conscious of

physical qualities; and I do not remember whether the fingers of a hand

are short or long; or the skin is moist or dry。 No more can you; without

conscious effort; recall the details of a face; even when you have seen

it many times。 If you do recall the features; and say that an eye is

blue; a chin sharp; a nose short; or a cheek sunken; I fancy that you do

not succeed well in giving the impression of the person;……not so well

as when you interpret at once to the heart the essential moral qualities

of the face……its humour; gravity; sadness; spirituality。 If I should

tell you in physical terms how a hand feels; you would be no wiser for

my account than a blind man to whom you describe a face in detail。

Remember that when a blind man recovers his sight; he does not recognize

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